![]() The Chaperone opens in New York on March 29 th and in Los Angeles on April 5 th before a wider release in April/May. Parents need to know that The Chaperone is a made-for-PBS-television film. The Chaperone is a gentle period drama with a somewhat manufactured ending, which does not challenge viewers, but which will no doubt please Downton devotees. Despite the best efforts of McGovern et al., The Chaperone is lightweight. While it’s clear that the film tries to draw parallels and highlight contrasts between the two women, it’s hampered by the melodramatic contrivances of the chaperone’s own story, making for far less interesting viewing than that of her ward. Director Michael Engler also has history with Downton, and so the mood and feel of The Chaperone would appear to be well within everyone’s comfort zone. The task of adapting Laura Moriarty’s novel of the same name was given to Julian Fellowes, Oscar-nominee and creator of the Downton Abbey world. Neon added 40 runs for Telluride/Toronto doc The Biggest Little Farm. It stars Elizabeth McGovern, Haley Lu Richardson, Miranda Otto, Blythe Danner, Campbell Scott, Géza Röhrig and Victoria Hill. She’s aided by a gentle and touching Geza Rörig (probably best known for his role in Son of Saul) – and a scintillating Hayley Lu Richardson, who surely is destined to be the next big thing. Trial By Fire had a relatively wide launch in 109 theaters, grossing an estimated 78,822 in the three-day, averaging just 723. The Chaperone is a 2018 period drama film, directed by Michael Engler, with a screenplay by Julian Fellowes, from the novel by Laura Moriarty. ![]() The two women could not be more different, but while Richardson’s Brooks takes only a matter of days to transform into the sleek-bobbed party girl with whom we are familiar nowadays, Norma Carlisle slowly begins an exploration of herself, her past and her role as wife – with her ward as catalyst.Įlizabeth McGovern is solid as the reliable, conventional matriarch who learns some deep truths about herself leaning easily into her Downton Abbey experience for the role. Norma has been a model wife and citizen all her life, but inexplicably agrees to chaperone a feisty 15 year-old Louise (Hayley Lu Richardson) to New York to join a dance school. Instead, The Chaperone looks at the woman who accompanied her on the first stages of her journey – Kansas society matron Norma Carlisle (Elizabeth McGovern). Although playing heavily on the presence of 1920s icon Louise Brooks, The Chaperone is not her story, and fans of her period of Hollywood history will likely be a little disappointed if they come for a behind-the-scenes look at Brooks’ metamorphosis. Turns out she has a good reason: she was actually raised in an orphanage there for a short while before being adopted by kindly midwestern farmers, and now wants to find her birth parents.Downton disciples will find things to love about this very American period drama, but Marie wanted more Hayley Lu Richardson!ĭespite the poster and the blurb, the clue is in the title. When she hears that local pianist Myra Brooks (Victoria Hill) is in search of a chaperone to accompany her precocious but exceedingly talented teenage daughter Louise (Haley Lu Richardson) to New York to attend a prestigious dance school, Norma mysteriously jumps at the chance. Retrovirus particles in which the Gag protein has not yet been cleaved by the viral protease are termed immature particles. Star Elizabeth McGovern (Downton Abbey), creator Julian Fellowes (Downton Abbey) and more describe how they brought The Chaperone to the screen. When first met in 1922 in Wichita, Kansas, Norma seems like a nice, churchgoing lady of a certain age, respectably married to a lawyer (Campbell Scott) and mother of two practically grownup sons. Here, that parallax view is from the perspective of Norma – played by Lady Grantham herself, Elizabeth McGovern, taking a lead role for a change. Like so much of Fellowes’ work, it effectively flatters the viewer by assuming he or she must be familiar with certain historical figures (in this case, early cinema star Louise Brooks) and then appears to dish the dirt on them through the eyes of a character from another class or at least different social sphere. W ritten by Julian Fellowes, who brought us Downton Abbey and recent series The Gilded Age, and directed by Michael Engler, who worked on both the aforementioned, this based-extremely-loosely-on-fact costume drama adapted from a novel by Laura Moriarty should hit the sweet spot for fans of Fellowes’ particular variety of saucy-soapy period pieces.
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